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POLYMORPH |
The first
Synthesizer with Analog-Emulation-Synthesis
and an Analogue Sequencer
The
virtual reproduction of analogue synthesizer sounds is no longer a secret. Many
synths of this kind are available now - but the possibilities are differing a
lot. Everyone who remembers the era of the original analogue synths knows that
the unique feature of those instruments was not only the kind of synthesis - it
was also the control possibilities you had.
The POLYMORPH offers you the MORPHING SEQUENCER, which has these possibilities combined with a digital synthesizer for an incredibly low price. Additionally you have independent highpass and lowpass filters with resonance going up to self-oscillation. This allows more sound control than in conventional models, which normally offer only one filter at a time.
Arpeggiator,
Step-by-Step programming and Drumgrid are only a few of them.
The analogue sequencer has been forgotten for a while. It had the power of creating complex and dynamical sequences, which can not be done with "modern" sequencers in such an easy way and with instant-access.
The third oscillator adds more fatness than two of them could ever offer! Instead of complicated modulation routings each section (Highpass, Lowpass, Oscillator, VCA) has its own envelope generator. Even the midi multi-mode is unusual: up to 4 sounds can be produced at once, each part with its own audio single output and 4 individual effect sections including flanger, chorus , delay and effect combinations.
FEATURES:
- Polyphony: 8/16-voice
- Multitimbral: 4-part Multimode with dynamic voice allocation
- Effects: individual effects for each Sound through ADVANCED-DSP-TECHNOLOGY (Distortion & Filter, 2 Band EQ, 2 modulation delays with tempo sync)
- Play modes: Multitimbral, Stack, Split, Rotate and Layer
- Oscillator-Bank: 3 independent Oscillators per Voice, Sync; pitch envelope for oscillators, Waveforms: Pulswidth-modulation, Sine, Triangle, Sawtooth, Square, Pulse, Noise, complex Wavetables; additional multi samples for even more sound capabilities.
- Filtersection: 12 dB Highpass with Resonance and 24/12 dB Lowpass with Resonance with individual Envelopes; serial and parallel combination of filters (Bandpass and Notchfilter). Filter couple for simultanous control of both filter frequencies; filter drive for overdrive sounds.
- LFO-Bank: 3 LFO's, each with square, sine, sawtooth rising&falling, random; Midi and Sequencer/Arpeggiator sync-able
- ADSR-Bank: individual envelopes for Highpass, Lowpass, VCA and Oscillators (AR). modulation intensity reversible
- Morphing-Sequencer: 4 morphing sequencers with 4 independent lines each (1x Pitch, 3 controller lines free assignable), cycle length independent for each line, realtime transposing, step-mute, step-hold, midi-note input, external triggering, triggering between the 4 sequencers, many demonstrations preprogrammed (electronic-drums, psychodelic-tunes, basslines and many more)
- External Inputs: Two independent external inputs offer sound manipulation with all the POLYMORPH's sound modifiers and effects.
- Memory: 128 single sound memories, 64 setup memories containing all 4 used single sounds, sequencer and effect settings. All in all: 384 sounds. Additional 50 memories for sequencer. All in all 306 sequence memories.
- MIDI: extensive implementation, MIDI-control of all parameters, memory archieving via MIDI-Dump, Sequencer also usable for external synths in "local off" mode.
- Connectors: MIDI-IN, MIDI-OUT, MIDI-THRU, four Audio-Single-Outputs, Expansion slots for Wavetable-Expansion, Software-Upgrades
- Dimensions: 400mm (W) x 225 mmm (D) x 98 mm (H)
- Weight: 3 Kg
